Sunday, May 31, 2009

Vijay Madhavan - Videos















The goal of excelling further is constant in the mind of any artiste
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Bhagavata Mela in Melattur at the Varadaraja Perumal sannidhi, a tradition that is more than two centuries old
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Prahalada Charithram and Harishchandra -- two major plays during the mela
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My role as Bhoomi Devi who protects Prahalada when he is pushed from the mountain


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Is the message of Bhagavatam relevant now
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When did I start dancing
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Being a male dancer in an otherwise predominantly female art form
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Inherent drive is important for successful artistes
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A recent performance on the six cults of worship through the works of Bharatiyar video

Mela Chakram, a challenging production in dance form


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Research that I do for the thematic dance projects

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Siva in Bharatiyar's works

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Kullachami description by Bharatiyar -- adoption in the dance

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Muruga, Surya, Shakti, Siva, Krishna in the works of Bharatiyar

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Some of the unforgettable performances

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Exposure to dance forms from other parts of the country, in addition to Bharathanatyam

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Dance students in the North vs South

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Let not parents consider dance to be a Board exam

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The mood before the curtain goes up

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As an artiste I am never satisfied with the performance

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How to handle negative criticism


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Creative elements that are incorporated in the framework

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Remembering my teacher


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My school, Rechita Nruthyalaya, to teach pure Bharathanatyam

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Presentations about Bharathanatyam to foreign audience

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Observations about media coverage of Bharathanatyam

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Advice for journalists aspiring to write about Bharathanatyam

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Bhakti bhava in Bharathanatyam vs Hindustani style

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On pursuing Bharathanatyam part-time, along with job

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How can corporates support Bharathanatyam

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Bharathanatyam is presented very badly in popular cinema

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Television can aid the growth of the Bharathanatyam art form

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Choreography in films is only decades old, compared to ancient choreography of Bharathanatyam

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Grammar of dance handed down by Bharathanatyam vs Western form

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You can learn Western art forms to appreciate dance

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You can't be predictive about creative energy

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Ingredients of creativity

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All of your experiences and imagination come into your choreography

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Even most of the sthayi-based abhinayas have become rare in Bharathanatyam programmes these days

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Role of props in Bharathanatyam performances


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Instances where Bharathanatyam becomes part of a grander drama

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Does Bharathanatyam find presence in schools

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Why is Bharathanatyam not often visible in wedding reception events

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Classical dance art form programmes in corporate campuses

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Bharathanatyam instead of aerobics

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Does Bharathanatyam have the potential to replace gyms

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Do urban centres miss events such as Bhagavata mela

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Bharathanatyam in rural areas

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Dance in public places such as parks

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Tip for anger management

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